crazy acid techno nutters. just about sums it up really.

dewalta & shannon have teamed up and delivered some mind-bending releases in the past on cynosure, haunt and meander. for fans of villalobos & co

spirit wrestlers is the new imprint launched by diy discs dj, pete woosh(one half of digs & woosh). the label is a continuation of the sound heard on the infamous strictly4groovers and diy discs label s woosh is notably known for working with, diy is celebrating 25 years this year, testament to petes standing in the industry. this 1st sampler ep from the label draws on the incredible pedigree of music that nottingham produces and continues to lead the field with. as well as woosh himself, artists such as peej of diy discs, positive divide of littlemen and andy riley of inland knights/toka/drop all make for an impressive 4 tracker - just a taste of things to come. limited to 333 hand numbered 12s including sticker & insert, and packaged as a record should be.

for those who have been following macadam mambo from the beginning, you must have noticed that eclecticism and craziness are definitively the main lines of the label. well, this new release will prove it once again. we are honoured and have great pleasure of welcoming two new artists to the label. first we have the head of nation himself, hailing from chicago: traxx! and on top of that npnk , his agent, best friend and head of we like booking. a real family affair… they have prepared 4 stunning edits especially for us. exploring industrial, minimal synth pop, ebm, post punk. these are four raw, loud, insane, absolute must-haves. cut short: just sik!

timely re issue of reeses cult classic just want another chance. one of technos classic basslines that inspired a generation of dnb, garage and dubstep producers. originally released on detroits incognito label, this re issue on kevin saundersons (reese) own kms imprint and has been re mastered for 2014. contains the original, dub and accapella versions plus a whole host of rhythm tracks written by kevin saunderson on the b side for creative djs to play with.

limitierte 7 inch des us-amerikanischen soulsängers g.c. cameron, der bei den späten detroit spinners und temptations als sänger auftrat. *live for love* erschien 1980 auf einem kleinen uk label, *love just aint no fun* (ebenfalls aus 1980) ist komplett unveröffentlicht. handnummeriert. nachauflage zur bereits vergriffenen rsd 2014 auflage von 500 stück weltweit.

limited copies only !!an idea that took root in a canadian basement has finally come to fruition. trevor wilkes has taken his enjoyment of just-left-of-center techno and pulled in like minded individuals paul birken, scott robinson and tsr

the lone roamer is the experimental and deep side of riccardo dagostini, inspired by a dystopian world in which almost all the life forms are dead after an unspecified event. wandering alone through that devastated world is not just a physical act, it is a real personal and deep journey.

back in 2009, exactly five marches ago, culprit began its journey. 5 years of existence is a significant mark for a label and worthy of some introspection. with its new release, the los angeles­based label celebrates one of its most recognisable elements, the standard hotel rooftop, the site of the labels signature parties for the past 6 years: its been more that just a location – the rooftop has become the essential ingredient of culprits philosophy. inspiring a successful three-part compilation series, above the city, which has united some of the best young production talent around, the series has showcased a particular brand of warm summer­time sound, modern yet timeless. each remix is a culprit debut for all of the remixers. yet, each of them is part of the extended group of friends of the label, a like­minded tight­knit collective

super rare california sunshine soul, limite to 1000 numbered copies! this lp is the perfect combination of crossover and modern soul filled with strong black male group harmonies and funky instrumentation, a recording to savor the palette of soul and funk collectors across the board. this release isnt just about the vocalists but also the variety of talented musicians and unique instrumentation involved in creating this timeless testament to west coast african-american consciousness of the late 70s and early 80s.

p. lopezs new ep may be called the same beat. however, rest assured that this is most definitely a showcase of the paraguayan urban and tech house producers chameleonic capabilities. we ve seen lo¬pez on labels such as dogmatik, tirk and rationalism just to name a few, and he s even grabbed the attention of berghain who welcome him for his debut performance there in april. now he stamps his sonic dexterity all over this five track dark techno aeon ep. expect to be led through a progression of styles and emotions, fist pumps and foot taps all in the name of true quality music.

ford foster doing what he does.. no messin, straight fire tracks for the floor on new imprint just left white

einseitig bespielte limitierte 10 inch auf weissem vinyl zum rsd 2014. mit einem neuen track des duos just friends, bestehend aus dem vokalisten sasha spielberg und dem produzenten nicolas jaar.

the 9th vinyl release is here and we re very glad that, after a long time, we finally have the noisemaker back on the label. and this time on wax. the noisemaker, new label / agency regular member, has putted all of his finesse in 4 new outstanding productions. this new ep is an experience with various feelings emerging from the different moods of the tracks. sometimes it goes on with broken beats, sometimes it is just straight and it always comes with hypnotic, tripping raw and acid synthetizers, entertaining rythmics, all wrapped in dark atmospheres. the ep is supported by a high quality remix from american techno legend paul birken that delivered a real cutting edge rework of the original track -processing-. more than a remix, we could call it a reinterpretation. paul s very own flow is immediately hitting with patterns running crazy and an intense energy which is raised by heavy bass drums and slashing percs.

just 180 copies!! limited edition, blue label records with custom spine label & download code

another mysterious release from the take the elevator camp. once again no info just mechanical rhythms, dry acidic synths and weird deathly vocals.. just the way we like it from this great designer label. highly recommended!

latest iib release features the north easts version of csn last waltz. a double header, the first track just hold on is a collaboration between last waltz & smoove. heartfelt vocals over a pastoral rolling chugger, deep bassline folky guitar strumming making this a favourite at iib hq. on the remix ess o ess raise the tempo a little bring out the electric guitars and increasing the chug to almost krautrock levels. on the flip side last waltz give us tribute. a deep atmospheric acid affair. mellow electric keys and percussion lull you into a false sense of security before the heavy kick and acid bassline drop with dark cello notes. machete savane take on the remix. replacing acid for guitar and adding some machine groove this slowly builds and builds into a top bubbler.

andy meecham is a man of many musical incarnations and has been since the early 90s. following on from projects like the now dormant bizarre inc and revived dub-disco duo chicken lips, it is as the emperor machine that he explores his most experimental sounds. to date there have been three full length albums on dc recordings after the project was initially started with the idea of creating music using just one synth, the roland sh-3a. the results lay out the staffordshire mans love of vintage synthesisers for all to see, and combine tough edged disco beats with more cerebral cosmic melodies into alluring soundscapes that bend your mind and drive your feet. as well as a slew of 12s and lps, the emperor machine has also turned his hand to remixes of giants like moby, daft punk and royksopp, and has previously taken a live and inspiringly psychedelic incarnation of the project to clubs and festivals across the planet.

john morales remixes von zwei disco-klassikern endlich auf vinyl - in limitierter auflage!
john morales umkreiste unermüdlich den globus im jahr 2013 und promotete seinen m&m sound und die jüngste edition seiner wachsenden kollektion von vorher unreleasten remixes von klassischen disco tracks - volume iii beinhaltete noch nie veröffentlichte mixe von barry white, marvin gaye und third world. john hat hier zwei remixe klassicher salsoul juwelen fertiggestellt - inner lifes *aint no mountain* und auf der kehrseite salsoul orchestras *just the right size*. das sind zwei exklusive mixe auf transparentem vinyl, die auf 1000 stück limitiert sind, ein bebildertes cover haben und nicht digital erscheinen.

a new pattern by the analog roland orchestra. this one is dedicated to chicago! 707 as the master triggering the 101 and juno 6 with some alpha juno 1 chords… thats it. no midi, no editing, no software just the pure pleasure of a one-take-analog-jam

words spoken in another land and in another time echo through mikaels record. before the light of morning shines over his world he sings songs without words, madrigals for the petulant synths and austere drums, in an effort to stall out the first rays of the sun for just one more moment.

first to go is evolent with their smasher *the legacy*. a slick, yet powerful journey through the depths of sound and rhythm. known for their 100% hardware based live performances, evolent proofed once again their love for depth and details in this massive tune. *we just keep on searching for the perfect balance between a somehow minimalistic approach and detailed storytelling* state the two guys from evolent. and thats exactly what they did. this wonderful piece of music will be available on a limited number of 12 inch vinyl, including a massive remix from michal ho (get physical, nice try) and a twisted afterhour remix from monkey maffia (freudeamtanzen).

just when you thought sleng teng could go no further, it is back with this booming version for the dancehalls of today. dem stylee on the flip side is a perfect compliment to this limited edition white label for all rub a dub bass technicians.

second release from wildheart recordings - theo parrishs new london-based label. epic, spiritualised jazz-funk from the los angeleno — collaborator of gifted and blessed — astutely revived by theo parrish. dego and akwasi mensah wig out with tp on the fuel-injected, flip-side overhaul, propelling the tune left of mo wax and into the light.

crafty, sparse, late night house cut b/w proper, warm house banger

tip! past, present and future! mr templar?? svek? the persuader?? jesper dahlback?? we think this record dont need a lot of words. just be fast to get your hands on this amazing series! shrinked.

adam x was very much deep in it in 92: 23 years in the record-releasing game and counting to be exact. could be longer, as thats just going by his discography. founder of sonic groove, also known as traversable wormhole & amdx-71. its enough to know that the man is still seriously killing it, and this is absolutely no exception: acidic, metallic, raw and driving techno for the true heads.

no more just tracking down tracks! that has been the law at the monaberry camp for a while now. it rings true with full force, as the monkeys release their seminal and elegantly powerful watching the stars ep

the moment has come for the latest stl platter provocative titled time is just an illusion to take place on your turntable in order to spin for pleasure and delight. surfacing from the local diy remote headquarter, something is calling like minded listeners and friends of analog deep house jams to take a trip out with three time evaporating tracks and two continuous etched loops.

genial welcomes 2014 with a new release and at the same time a new member in its roster. it is the italy based dj and producer leon who already has an impressive discography on labels like cecille, saved, defected and many many more. on genial he debuts with a track that has caused havoc every single time it got played for the past 6 months in clubs all over the world. king of the jungle takes us back to the past with its old school break beat, while the robot-esque vocal sample brings a flavour from the future. on the remix duties, the label favourite egal 3 provides a deep atmospheric version full of haunting synths and fxs, totally written for those late mornings when you just want to get lost in the music. on the b side, danish producer martinez is taking us to an almost 14 minutes trip with his concealed dub mix, with a deep but very groovy bass and a special arrangement which will keep you going from the start to end.

dan trevitt, long-tenured philly techno dj of the highest caliber and stalwart member of the inciting / great circles crew steps up with the missing, his first 12 inch for the label. trevitt spent most of the past year holed up with a rotating arsenal of hardware in the vacuum, a warehouse that not so long ago played host to a number of memorable parties. machine ghosts fight for freedom, trapped in the dark of smoke, spray paint, solder and ash. but no one s going home just yet.
limited edition of 300 handstamped copies.

khandoits hypnotic 100 bpm stomp does not adhere to genre or fickle trends, it simply bangs. the track begins with a sturdy kick and piano glissandos which recall alice coltranes most transportative work. as the beat picks up, a creeping, filtered arpeggio enters its journey between rhythmic and downright nasty serving as the track s primary drama. its a stunning intro to the new label grimy trax, a musical chameleon that can be dropped at the beginning, middle or end of the night. to complement the epic a-side, grimy returns to the endlessly talented midwest and emerges with lulu, an original track by deejay/edit ace bruce ivery. the track seamlessly combines the chicago acid sound with the clever vocal sampling of early 90s nyc house. the result is pure peak-time heat. towards the end of the track, ivery arranges brief melodic elements into a propulsive disco facsimile. this unexpected turn summarizes the philosophy of the new label and the way this small group of artists selects and makes records. it doesnt matter if its house, disco, or techno, just make it grimy!

virgo four deliver a deep 4-tracker with a touch of acid for the chiwax series.

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts.
whiskey disco #25: it started in 2009 when a friend rang sleazy mcqueen and asked to *press some of those edits he has been making* and has now reached its 25th vinyl release. time flies when you are having fun - and fun has always been the cornerstone of whiskey disco. back to the roots ep exemplifies the label mission and the disco hippies who cherish it. loops filtered, space rocked and jam band, whiskey disco has made a mark on the edit scene that few can dispute and we have only just begun.

this aint just edits !!

one of our specialties at jazzman is focusing in on the obscure and often previously slept on regional based sounds across america. this time our radar was honing in on state of virginia and its norfolk sound. many celebrated musicians have contributed to the norfolk sound, but lenis guess was probably the most active, prolific and influential showman of the soulful 60s and 70s. this collection of unique recordings captures the essence of the multi-talented entertainer, singer, songwriter, producer, arranger, band manager and label owner a calm, cool and collected quintessential music man about town.

x 1 releases his first ep under beat x changers label. four beautiful songs out of his mind, combining the accuracy of the sound engineer, the multiple colors from his influences and his fascination for a music that only asks to be danced, always danced

hip hop did not develop in a vacuum - its roots can be traced back to the earliest afro-american music, and the folks who were influenced by these sounds along the way. this lp compiles some of the great recordings that showcase the spoken word and street culture put forth from the 1920s through the 1960s that would go on to influence the entire rap music genre. the themes will be familiar - religion, politics, black experience, badass gangsta rap, speed, sex, drugs and rock n roll. lets listen to the lessons that the hipsters of the past taught the rappers of today.

the classic 1973 radio live broadcast by ksan-fm from the record plant, sausalito, california on double 12 inch vinyl in gatefold sleeve.

eminem’s 1999 hit-lp, incl. “my name is”, “guilty conscience” and “i’m shady”.

just checking is a clear nod to the early works of ron trent & chez damier. tiltons plane has a massively chugging bass line coupled with a gritty conversation about the finer points of self perception.

mike okay is back on the dancefloor after a big roadtrip during the worlds largest kindergarten. his new release, called fogel, comes along in three different versions. the original, an edit from himself and a remix from the old but newborn fly motherfucker. you can take the mike versions as sure shot for good vibriations on every floor.... continoues groove and some sweet kids behind the mic are the main cheese, whats fully filled up with fat bass. when you start or end the night try to handle the fly motherfucker remix. the slower walking groove is straight right for this. mixed up with the emo synthi its just a wonderfull dreaming interpretation and perfect to fall into a moody winterdancefloordepression. so the next what! what! episode from its founder mike okay is on the run.....lets fetz!

its not easy making jams that really work the crowd just as well in bristol as in berlin. nor any other city for that matter. its those crossover artists that really stand out for us with tunes that do so much more than just ride the wave of whats hot. enter the organ grinder and his sick 3track ep for heist.

the analogue cops present a fine 4 track ep for hypeltd, *in plain clothes* ep is raw, distorted and heavy, just the way we like it. the italian team have already caught our ears with releases on bass culture, bleep and their own restoration records, and collaborations with the likes of blawan, ryan elliot and alex picone.

ponta do sol is a homage to one of the greatest places known to man. madeira island. it also expresses perfectly the actual indian summer we enjoy in berlin.past summer euphoria meets the arising melancholy of fall-winter. lets dance! is inspired by a break from a unknown english indie band from the 80 s. the origins of the mix reach out to the style of vsq releases back in the days on combination records. uplifting bouncing house beats and chord progressions meet funky basslines.lets hustle! contains squeaky harmonics and chords that will drive you mad just until you will be relieved by a driving acid 303 underlined by a monster sub bass pattern. lets rock!

deadbeats dub credentials are by this point are as solid as they come, and being asked to remix 2 of the genres heaviest hitters, not once, but twice is just about the greatest complement anyone in said position could ever hope to receive.

second part of this two episode series on subnet records. following the same flavour as before... dark textures and mental synth lines driven together by hard drum patterns and groovy percussion. these two ep reflect the creepy and insane behaviour caused by experiments in the field of invisibility applied in the human being. all the tracks were recorded live! just using analog sequencers, mpc, analog mixer and synths. directly to a recording device. in the same way as you could record a live set, to keep all the vibe as fresh as possible. 220 copies limited vinyl release.

dreamy, warm atmospheric, perfect electronica/house hybrid album

first runners out from the free spirit society s newly moved berlin-establishment is johanna knutsson & hans berg. being the title-track of this 2-track 12inch, i buy pink sheet is just as funky and loveable as imaginable, a mechanical jacking housegroove surrounded with bits of melodic techno elements. rabbithole takes you down a more narrow and deeper path filled with expectations.